![]() Digital cameras haven’t quite caught up yet, but that’s nothing our tools can’t fix. The human eye has an impressive dynamic range, which means that it can see lots of detail in bright areas while still being able to see details in the shadows. In an image, I consider the ‘true exposure’ to be the image roughly as I saw it. It’s important to get exposure right when you are shooting*, but nobody’s perfect, and there is more to exposure than just the amount of light on the sensor. The first thing I tend to edit in an image is getting the exposure right. We can break these down into three basic groups. When editing photos, there’s a slew of sliders, knobs, buttons and levers. Therein lies the parallel between image editing and acting: it’s best to slightly overdo it, as long as it doesn’t overtly distract from what you’re trying to communicate. ![]() I skewed the white balance a bit towards purple, and applied some split toning to get the same impression I got when I was standing there taking the photo. I saw orange and purple light casting over the entire city, and looking left, the sheer warmth and vibrancy of twilight struck me. In my case, I was walking down to get dinner when I was surprised by some really beautiful sunset colors in the sky. I asked myself, “Why are you editing this shot?”. Let’s take this shot from the first article. Let’s get started.īefore I start editing a photo, I like to at least commit to a certain mood I’m trying to nail down. Select your best photos, then go through that selection again, more critically. Since editing is time-consuming, whittle down your shots first. Before you edit You’re about to jump into a creative process where your options rapidly multiply to millions of possible outcomes. But we’re getting ahead of ourselves: the editing process starts as soon as you are done taking photos and start reviewing your shots. They really allow you to bring out the shot you wanted to get.Įditing RAW files can be done right on your iPhone, or on your Mac or PC. You can get instant, dramatic results out of editing RAW files. My workflow is typically to edit them a bit and share them: Most of Halide’s (and other iOS RAW camera apps’) RAW shots come out fairly ‘flat’, as they are basically designed to give you maximum editing freedom instead of looking punchy right out of the camera. Most of these pointers also apply to editing RAW files from other cameras, but some parts focus on iOS editing workflows and how to transfer your RAW files from your iPhone to your Mac or PC. This guide will walk you through the basics of RAW editing and adjustment. As a result, I take - and edit - a lot of photos on my iPhone. I’m the design half of the team that builds Halide, a camera app for iPhone. New to this series? I suggest you start there. ![]() I previously wrote about what RAW is by explaining a little on how cameras work, how you can use RAW, and what some key tradeoffs of using RAW are. This is the second in a series of posts on RAW photography on iPhone. ![]()
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